Future Men

On his blog Irrelevant, Greg Linscott quotes from the book Future Men by Doug Wilson:

Music has been one of the chief culprits in the feminization of the
church. Many of the ‘traditional’ hymns of the nineteenth century are romantic,
flowery, and feminine. (I come, after all, to the garden alone, while the dew is
still on the roses.) But the recent rejection of such hymns in favor of
contemporary worship music has been a step further away from a biblical
masculinity. The current emphasis on “feeling worshipful” is frankly
masturbatory, which in men produces a cowardly and effeminate result.
The
fact that the church has largely abandoned the singing of psalms means that the
church has abandoned a songbook that is thoroughly masculine in its lyrics. The
writer of most of the psalms was a warrior, and he knew how to fight the Lord’s
enemies in song. With regard to the music of our psalms and hymns, we must
return to a world of vigorous singing, vibrant anthems, more songs where the
tenor carries the melody, open fifths, and glory. Our problem is not that such
songs do not exist; our problem is that we have forgotten them. And in
forgetting them, we are forgetting our boys. Men need to model such singing for
their sons.

While we should exercise care not to go to the opposite extreme, we would do well to de-feminize our churches. (God is no more pleased with macho than with wimpy). This feminization has shown itself most prominently in church music ministries. Balancing our approach to music both in style and in lyrical content will allow our men to more easily and enthusiastically enter into corporate worship.